C.P.O. Sharkey

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C.P.O. Sharkey is an American sitcom, created by Aaron Ruben that aired on NBC from December 1, 1976, to April 28, 1978. The series starred Don Rickles in the title role, with Peter Isacksen, Elizabeth Allen, Harrison Page, and Richard X. Slattery featured in the cast.

Video C.P.O. Sharkey

Premise

The series starred Don Rickles as U.S. Navy Chief Petty Officer Otto Sharkey, an abrasive career Navy man stationed at a San Diego naval base in charge of Company 144, a group of seaman recruits. Sharkey initially comes off as callous and insulting to everyone around him, but underneath his crusty exterior Sharkey genuinely cared for his recruits and often went to great measures to help with their problems.

Rickles, who actually served in the Navy during World War II, was already well-known for his indiscriminate insult humor he used in his stand-up routines and in guest appearances on other TV shows and specials; C.P.O. Sharkey was the third TV series that provided him with a regular vehicle for his coarse humor. (Two previous series in which he starred, both eponomously titled The Don Rickles Show- one a 1968 variety show, the other a 1972 sitcom- each aired for one season). Coincidentally, Rickles portrayed a different C.P.O. in the 1961 episode "Professional Sailor" of the CBS military sitcom/drama, Hennesey, starring Jackie Cooper.

Members of Company 144 were a motley mix of ethnicities, including:

Seaman Lester Pruitt (Peter Isacksen), Sharkey's assistant, a tall, lunkheaded Southerner who often shared his homespun homilies with the uninterested Sharkey.
Daniels (Jeff Hollis), an African-American
Kowalski (Tom Ruben), who was Polish
Skolnick (David Landsberg), a Jewish New Yorker
Mignone (Barry Pearl), an Italian
Rodriguez (Richard Beauchamp), a Puerto Rican
Shimokawa (Evan C. Kim), a Japanese immigrant

Others on the base included:

C.P.O. Dave Robinson (Harrison Page), Sharkey's colleague and closest friend on the base.
Lieutenant Whipple (Jonathan Daly), Sharkey's immediate superior whose complacency and buck teeth were fodder for Sharkey, though for reasons obvious he never insulted him to his face.
Captain Quinlan (Elizabeth Allen), the newly-appointed female base commander during season 1, which Sharkey had a hard time accepting at first.
Captain Buckner (Richard X. Slattery), who replaced Quinlan in season 2. A former submarine captain and hard-nosed career man, Buckner usually got right in Sharkey's face and barked orders in a rapid-fire manner, rendering Sharkey unable to respond except in civil answer.
Seaman Apodaca (Phillip Simms), who joined the base in season 2.

Maps C.P.O. Sharkey

Running gags and precedents

In the earliest episodes of the series, Sharkey would often end conversations with each of his recruits by giving them the evil eye and saying "I'm gonna keep an ey-y-y-e on you".

Pruitt, who stood 6' 7", would invariably hunch forward overlooking the 5' 6" Sharkey when addressing him face-to-face; Sharkey found it uncomfortable to speak to Pruitt this way and would make snide remarks about Pruitt's height or a mistake he made. (The July 9-16, 1977 cover of TV Guide showed Rickles and Isacksen in character, with Sharkey standing on a foot locker so he could physically be eye-to-eye with a surprised Pruitt). Some of Sharkey's insults toward Pruitt included:

"Why don't you put bicycle pedals in your ears and ride yourself outta here!"
"Why don't you go elope with a moose!"
"The last time I saw a head like that was on a wall over a bar in Teaneck, New Jersey! Ya big dummy!!"

Lt. Whipple would often lecture Sharkey. When he left the room (after bellowing "Carry on!" in his piping voice), Sharkey would often look in the camera and imitate Whipple's buck-teeth.

The series was the first prime-time sitcom to depict the burgeoning punk rock music scene, with The Dickies, a band from the San Fernando Valley, making a guest appearance in season 2.

C.P.O. Sharkey s01e10 - Video Dailymotion

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The Tonight Show cigarette box incident

CPO Sharkey is largely remembered, albeit peripherally, for an incident that occurred during an appearance by Rickles on The Tonight Show in December 1976, in which he inadverdently broke Johnny Carson's cigarette box, an expensive heirloom that Carson had kept on his desk since 1967.

During his appearance, Rickles pretended to be an immigration agent while joking with guest host Bob Newhart, using the cigarette box as a passport stamp, slamming it down on the desk several times accidentally breaking the lid; upon seeing what he had done, Rickles went into mock panic.

When Carson returned the following night and discovered the broken box while conversing with bandleader Doc Severinsen, he took a camera crew and walked across the hallway to the adjacent studio where C.P.O. Sharkey was being taped. Carson interrupted the taping in order to tease Rickles, pretending to be angry, all to the delight of the studio audiences of both shows. Carson imitated Rickles' comedic style, first by calling Rickles a "big dummy" and then by teasing Harrison Page, speaking to him in an exaggerated jive accent. As Carson prepared to exit the stage, Rickles addressed his own audience and announced Carson, who mockingly glared at Rickles and shouted, "They know who I am!".

Nearly two years later Rickles, this time guest hosting The Tonight Show himself while talking with guest Carroll O'Connor, inattentively started slamming Carson's new cigarette box on the desk, but immediately stopped when he realized what he was doing; this time the box remained intact. This happened November 13, 1978, nearly seven months after C.P.O. Sharkey had been cancelled.

The incident was often replayed in Tonight Show retrospectives and was considered a major highlight of the 1970s era of the show. The incident was also featured in Mr. Warmth: The Don Rickles Project.

In a 2005 interview with The New York Times, Rickles said that the incident was a genuine accident, but he and Carson made it dramatic. "Knowing Johnny, he milked it a little bit. And I added to it." He also said he had no idea that Carson would barge in on his set that day. "I was really taken. In those days, those were bigger cameras than they are today. To schlep all that stuff into the other studio was quite an event."